Posts Tagged ‘sampling

15
Apr
08

Girl Talk – The Night Ripper

Just so you know, I hate sampling laws.

I’m not saying I believe the artists samples shouldn’t get paid, but far too many are simply afraid that they will lose control of their music.  I remember reading a post by DJ Z-Trip where he detailed his attempts at clearing some samples to put on his new record.  He offered the original artists all the royalties from the song just so he could use a piece and was refused, much to his mounting frustration.  Others have tried the same thing and failed many time over the years.  One artist whose work was remixed by Fatboy Slim coldly declared that “all he does is steal bits of records he finds at garage sales.”

This is true.  He does. 

But how many of the general public would even be familiar with some obscure original work, if not for someone bringing it to the limelight and making it ”new” again?  Most of sampling’s enemies are really missing the point that this is a chance for their music to find a new life, or to live again…albeit not in the manner they might have chosen.  Right in the middle of this argument is an artist named Gregg Gillis, aka Girl Talk.

Instead of fighting for clearance, he just made a massive album of samples and released it for free on the internet.  That album, ”The Night Ripper,” was released on the Illegal Art label in 2006.  Just to give you an idea of how much sampling took place, here’s a list of his thank yous’. 

“2 Live Crew, 2PAC, 50 Cent, 69 Boyz, Abba, Paula Abdul, Aerosmith, Amerie, Annie, Arrested Development, David Banner, Rob Base, Bel Biv Devoe, George Benson, Better Than Ezra, Beyoncé, Black Box, The Black Crowes, Black Eyed Peas, Black Rob, Black Sheep, Boredoms, Boston, Bow Wow, Boyz II Men, The Breeders, Chris Brown, James Brown, Bun B, Busta Rhymes, Calloway, Candyman, Mariah Carey, Cassidy, Chicago, Ciara, Clipse, Phil Collins, Nikka Costa, Crime Mob, D12, D4L, DJ Assault, DJ EZ Rock, Dem Franchise Boyz, Digable Planets, Diplomats, Dinosaur Jr, Dr Dre, Jermaine Dupree, Elastica, Missy Elliot, Eminem, The Emotions, En Vogue, Fabolous, Fall Out Boy, Fatman Scoop, The Five Stairsteps, Fleetwood Mac, Folk Implosion, Foo Fighters, G-Unit, The Game, Garbage, Genesis, Andrew Gold, Al Green, Peter Gunz, Hall and Oates, Sophie B. Hawkins, Honey Drippers, Hum, Donnie Iris, J-Kwon, JJ Fad, Jay-Z, Jefferson Airplane, Joe Public, Elton John, Mike Jones, Junior Mafia, KRS ONE, Kansas, Kelis, Alicia Keys, LCD Soundsystem, LL Cool J, Lady Sovereign, Laid Back, Lil John, Lil Wayne, Lil Webbie, Lisa Lisa and Cult Jam, Lord Tariq, Ludacris, M.A.R.R.S., M.I.A., Madonna, Main Ingredient, Manfred Mann’s Earth Band, Marky Mark, Paul Mccartney, Michael Mcdonald, George Michael, Mobb Deep, Mark Morrison, ‘NSYNC, Nas, Nate Dogg, Naughty by Nature, Nelly, Neutral Milk Hotel, Nine Inch Nails, Nirvana, Noreaga, Notorious B.I.G., Oasis, P. Diddy, Pavement, Phantom Planet, The Pharcyde, Pharrell, Pilot, The Pixies, Positive K, Public Enemy, Punjabi MC’s, Purple Ribbon All-Stars, The Rentals, Smokey Robinson, S.W.V., Salt N Pepa, Juelz Santana, Seals and Croft, Sir Mix-A-Lot, Slim Thug, The Smashing Pumpkins, Sonic Youth, Britney Spears, Billy Squier, Gwen Stefani, T.L.C., James Taylor, Tears For Fears, Technotronic, Three 6 Mafia, Timbaland, Trillville, Trina, The Verve, The Waitresses, Paul Wall, Warren G, Weezer, Kanye West, Whispers, Wings, Steve Winwood, Stevie Wonder, Wreckx-N-Effect, X-Ray Spex, Ying Yang Twins, Young Gunz, Young Jeezy.” (thanks wikipedia!)

Gregg is something like a molecular biologist or something for his day job, and kind of does this stuff on the side.  Some of the electronic noises are of his own making, and all of the style that goes into producing the tracks is completely his.  Anyone can grab Pro Tools and shove two songs together, but not everyone can do it well. 

“The Night Ripper” does it well. 

His album is now being ’sold’ over the internet, but can still be downloaded from various areas. He’s not looking to make a killing off his CD, he just wants you to come see his shows.  Maybe one day all music will be treated as such, but until then, check this out!

07
Apr
08

Beastie Boys – Paul’s Boutique

pals boutique

This has been on my short list from the beginning, but I’ve been debating when to throw it up because it just seems too easy.  But fuck it, the weekend was waayy too short and I’m feeling lazy.

I was listening to a podcast the other day and they were interviewing the Beasties.  At some point, the subject of “Paul’s Boutique” came  up and they all became noticeably more energetic in their descriptions of the album…until the interviewer asked if they ever thought  they could do another album like it.  A kind of defeated sadness came over the Beasties as they elaborated on the pains of sampling and the whole legal aspect that surrounds it now.

“We could never release and album like that today.”

Sadder words have never been spoken because very few albums out there can cause as much joy as “Paul’s Boutique.”  After the success of “License To Ill,” the Beasties were instant pop idols, and they could have continued to be so if they had chose another path.  But during a fateful trip to Los Angeles, they attended a house party where The Dust Bothers happened to be playing…and the rest is history.

I remember when this album dropped back in ‘89 and everyone, the record label included, was expecting another “License to Ill.”  I remember one of the guys at my school hearing it and saying “What the hell is this shit?!?!”  Truth be told, I didn’t get it either.  It took at least three listenings before the brilliance began to sink in.  Paul’s Boutique was ahead of it’s time…not by light years but by at least 5, owing more to the early nineties golden age than the eighties.

Originally slated to be the Dust Bothers debut album, the Beasties managed to convince them instead to allow it to become the backing for their new album.  It samples 105 different songs.  105!!!  Things like this could only exist in the era before Gilbert O’Sullivan won his landmark suit against the Biz and forever changed the rules.

To listen to this album is a pure joy.  I was mortified when my girlfriend said she had never heard it and I got her a copy immediately.  I could talk about that fantastic sound forever, but my words could never do it Justice.  Released before “Check Your Head” really cemented the Beasties place in history, it stands as one the best transition albums you’ll ever hear.

As an extra bonus, check HERE for a listing of all the samples and other Pauls Boutique related goodness or watch the brilliant video for ‘Hey Ladies’ below.

UPDATE: If you were wondering whether or not the new 20th anniversary edition of the album was worth buying…it is.  It’s crisp and clean and full of little audio suprises for all.